60 Seconds  is a project about the 1990 Manjil-Rudbar earthquake. The title of the project refers to the duration of the earthquake, which lasted for sixty seconds.  This earthquake was extremely catastrophic and intense, and it is considered

60 Seconds is a project about the 1990 Manjil-Rudbar earthquake. The title of the project refers to the duration of the earthquake, which lasted for sixty seconds.  This earthquake was extremely catastrophic and intense, and it is considered one of the most destructive earthquakes in the world. It resulted in the deaths of approximately 60,000 people and left 400,000 Iranians homeless. My family was among those affected by this tragedy. My mother lost almost all of her family members, including her parents. She has never looked at her family album since then. I was born a year after the disaster. Unlike my mother, I was curious about the people and faces depicted in their albums. I gazed at the individuals who were no longer on earth but remained within those pages. I have used some photos from this archive in my project. Additionally, I chose to capture images of the surviving people, their living and aging process, and the nature of Manjil. The project commences with a photograph of my parents and me in the region. In the other images, I aim to capture the untamed winds seeming to uproot the sturdy trees and other natural scenes, representing the sublime nature and infinite power of Manjil. I also try to listen to the people's narratives about their living experiences and how their lives are intertwined with nature. It seems that life and nature prevail over the impermanence and vulnerability of human beings, and still, people are living and the planet grows out of the destroyed houses.

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  60 Seconds  is a project about the 1990 Manjil-Rudbar earthquake. The title of the project refers to the duration of the earthquake, which lasted for sixty seconds.  This earthquake was extremely catastrophic and intense, and it is considered
Sina Shiri- 60 Seconds 02.jpg
Sina Shiri- 60 Seconds 03.jpg
Sina Shiri- 60 Seconds 04.jpg
Sina Shiri- 60 Seconds 05.jpg
Sina Shiri- 60 Seconds 06.jpg
Sina Shiri- 60 Seconds 07.jpg
Sina Shiri- 60 Seconds 08.jpg
Sina Shiri- 60 Seconds 09.jpg
Sina Shiri- 60 Seconds 10.jpg
Sina Shiri- 60 Seconds 11.jpg
Sina Shiri- 60 Seconds 12.jpg
Sina Shiri- 60 Seconds 13.jpg
Sina Shiri- 60 Seconds 14.jpg
Sina Shiri- 60 Seconds 15.jpg
Sina Shiri- 60 Seconds 16.jpg
Sina Shiri- 60 Seconds 17.jpg
Sina Shiri- 60 Seconds 18.jpg
Sina Shiri- 60 Seconds 19.jpg
Sina Shiri- 60 Seconds 20.jpg
Sina Shiri- 60 Seconds 21.jpg
Sina Shiri- 60 Seconds 22.jpg
Sina Shiri- 60 Seconds 23.jpg
Sina Shiri- 60 Seconds 24.jpg
Sina Shiri- 60 Seconds 25.jpg
Sina Shiri- 60 Seconds 26.jpg
Sina Shiri- 60 Seconds 27.jpg

60 Seconds is a project about the 1990 Manjil-Rudbar earthquake. The title of the project refers to the duration of the earthquake, which lasted for sixty seconds.  This earthquake was extremely catastrophic and intense, and it is considered one of the most destructive earthquakes in the world. It resulted in the deaths of approximately 60,000 people and left 400,000 Iranians homeless. My family was among those affected by this tragedy. My mother lost almost all of her family members, including her parents. She has never looked at her family album since then. I was born a year after the disaster. Unlike my mother, I was curious about the people and faces depicted in their albums. I gazed at the individuals who were no longer on earth but remained within those pages. I have used some photos from this archive in my project. Additionally, I chose to capture images of the surviving people, their living and aging process, and the nature of Manjil. The project commences with a photograph of my parents and me in the region. In the other images, I aim to capture the untamed winds seeming to uproot the sturdy trees and other natural scenes, representing the sublime nature and infinite power of Manjil. I also try to listen to the people's narratives about their living experiences and how their lives are intertwined with nature. It seems that life and nature prevail over the impermanence and vulnerability of human beings, and still, people are living and the planet grows out of the destroyed houses.

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